Author: womo

Piano player Al (Tom Neal) is bitter about having to work in a New York nightclub. After his girlfriend Sue (Claudia Drake) leaves to seek fame in Hollywood, he decides to join her. With little money, he has to hitchhike his way across the country. In Arizona, bookie Charles Haskell Jr. (Edmund MacDonald) gives him a ride in his convertible. Haskell has Al pass him pills several times along the way. That night, Al is driving while Haskell sleeps, when a rainstorm forces Al to pull over to put up the top. Unable to rouse Haskell, Al opens the passenger-side door. Haskell falls out and strikes his head on the ground. Al then realizes the bookie is dead. Fearful that the police will believe he killed Haskell, Al dumps the body off the side of the road, takes Haskell’s money, clothes and identification, then drives away. After spending the night in a motel, Al picks up another hitchhiker, Vera (Ann Savage), at a gas station. By sheer bad luck, it turns out that the femme fatale had also been picked up by Haskell earlier. She scratched him deeply in the arm and got out after he tried to become too friendly. When Al identifies himself as Haskell, she blackmails him by threatening to turn him in.

In Hollywood, they rent an apartment, posing as Mr. and Mrs. Haskell to provide an address when they go to sell the car. However, Vera learns from a newspaper that Haskell’s wealthy father is near death and looking for his son, who ran away as a youth after accidentally injuring his friend. Vera demands that Al impersonate Haskell, but Al balks at this notion, pointing out that he knows nothing about the dead man. Back in the apartment, Vera gets drunk, and they begin arguing. She threatens to call the police, running into the bedroom with the telephone and locking the door. She falls into a stupor on the bed, with the telephone cord tangled around her neck. Al tries to break the cord. Then, when he breaks down the door, he sees that he has accidentally strangled her. He goes hitchhiking again, but is picked up by the police.

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Directed by Edgar G. Ulmer, produced by Leon Fromkess, written by Martin Goldsmith and Martin Mooney, starring Tom Neal as Al Roberts, Ann Savage as Vera, Claudia Drake as Sue Harvey, Edmund MacDonald as Charles Haskell Jr, Tim Ryan as Nevada Diner Proprietor, Esther Howard as Holly, Diner Waitress, Pat Gleason as Joe, Trucker at Diner and Don Brodie as the Used Car Salesman.

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Royal Wedding is a 1951 Hollywood musical comedy film known for Fred Astaire’s dance performance on a ceiling and another with a coat rack. The story is set in London in 1947 at the time of the wedding of Princess Elizabeth and Prince Philip, and stars Astaire, Jane Powell, Peter Lawford, Sarah Churchill and Keenan Wynn, with music by Burton Lane and lyrics by Alan Jay Lerner. The film was directed by Stanley Donen. It was his second film and the first film he directed by himself.

Astaire and Powell play a brother and sister song and dance duo, echoing the real-life theatrical relationship of Fred and Adele Astaire. Powell, who was not first choice for the role, surprised her colleagues with her all-round ability. She falls for Lawford, who plays an English aristocrat — mirroring Adele Astaire’s romance and eventual marriage to Lord Charles Cavendish, son of the Duke of Devonshire.

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Africa Screams is a 1949 American #Adventure Comedy film starring Abbott and Costello and directed by Charles Barton that parodied the safari genre. The title is a play on the title of the 1930 documentary Africa Speaks!. The supporting cast features Clyde Beatty, Frank Buck, Max Baer, Buddy Baer, Shemp Howard, and Joe Besser.

Diana Emerson (Hillary Brooke) is in the book department of Klopper’s Department store looking for a copy of the book Dark Safari, written by the famed explorer Cuddleford. Buzz Johnson (Bud Abbott) overhears Diana saying that she will pay $2,500 for a map that is inside that book. He devises a plan to pass off his friend Stanley Livington (Lou Costello) as a great explorer who accompanied Cuddleford on the expedition described in the book. With claims that he can reproduce the map, the two men go to Diana’s home that very night. They agree to accompany her on an African expedition, and when Buzz overhears that Clyde Beatty has been offered $20,000 to lead the expedition, he feels that the map is worth considerably more than $2,500.

They travel to Africa, along with Diana’s team of explorers, including Harry (Joe Besser), ‘Boots’ Wilson (Buddy Baer), ‘Grappler’ McCoy (Max Baer) and Gunner (Shemp Howard), a nearsighted professional hunter. The boys learn that the true expedition is for diamonds rather than exploration, and Buzz plans to renegotiate the deal. Unfortunately Stanley cannot reproduce the map, as he has never seen it, and the two attempt to bluff their way around the jungle.

Eventually Buzz and Stanley find a trail of diamonds, which lead straight to a cannibal village, where the residents intend to roast the two. Fortunately, they are rescued by a gorilla who has taken a liking to Stanley after he rescues it from a trapper’s pit.

The next day the cannibal tribe meets with the rest of the expeditionary team, where the chief offers several diamonds in exchange for Stanley (“Chief have sweet tooth,” explains his translator.). They start to chase Stanley all over the place while Buzz buries the diamonds. The expeditionary team, along with the tribal warriors, are finally frightened away by a giant gorilla (Charles Gemora), whose existence had been dismissed as a myth earlier in the film. Stanley rushes to find Buzz, only to discover that Buzz, having lost the diamonds, has had enough and is abandoning his friend. Meanwhile, the friendly gorilla from before digs up the diamonds that Buzz has hidden and gives them to Stanley offscreen.

Some time after returning to the United States, Stanley owns the department store, along with the gorilla, and Buzz works for them as the elevator operator.

Stars: Bud Abbott, Lou Costello
Director: Charles Barton
Writer: Earl Baldwin (original story and screenplay)

Abbott & Costello search for diamonds in Africa, along the way meeting a visually-impaired gunner, a hungry lion, and a tribe of hungrier cannibals!

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The Big Cat is a 1949#Action Adventure American Outdoor film in Technicolor directed by Phil Karlson. The cast included Lon McCallister, Peggy Ann Garner, Preston Foster, Forrest Tucker, Skip Homeier, and Gene Reynolds.

Drought during the 1930s forces a large cougar to come down from the high country in Utah to prey on farmers’ cattle. This has prompted many farmers to pursue and kill the cat, but so far all have failed.

Danny Turner (Lon McCallister) arrives in the area to move into his mother’s birthplace now owned by his stepfather Tom Eggars (Preston Foster). Tom is constantly threatened by a hostile neighbor, Gil Hawkes (Forrest Tucker). Shortly after Danny arrives Tom and Gil have a scuffle, a sure sign of a soon-to-be war. When Danny arrives he meets Doris Cooper (Peggy Ann Garner), whom he develops a crush on. After some close calls with Gil, the drought and the cougar become such big issues that the mayor of a nearby town announces that a hunt be started for the big cat. The hunt is unsuccessful, with the Eggars’ dog chasing the cougar back to its lair and the party left behind. Tom tells Danny that he may have to move away and live with the Hawkes family due to the troubles he is having around the farm.

The next day he goes to the hill to show Gil and his family that he will come live with them. Gil’s son Jim (Skip Homeier) teases Danny about his failure to kill the cougar and their dislike of Tom. Danny then refuses to live with them because he remembers Gil is the one who mistreated his mother and refused to let her marry Tom. Tom hears this and attacks Gil, and the two fight. Danny and Jim also get into a fight when the angered Jim accuses Danny of starting the fight. Danny and Tom win both fights and Tom tells Gil that Danny will continue living with him.

The next morning Tom takes Danny hunting, but due to his dislike of killing animals Danny refuses to take a shot at a deer. Understanding this, Tom takes the gun and shoots the deer himself. However, the cougar hears the noise and follows them to Tom’s cabin. While Tom and Danny are in the shed, preparing to cut up the deer, the cougar enters the farm and nibbles at the carcass. Tom fires at the cougar and pursues it into the woods. Meanwhile, Danny goes back into the woods to retrieve a gun he left there. Tom chases the cougar, firing at it, but the cougar then surprises him by attacking from above. The cougar kills Tom and runs off into the wilderness.

Grieved at Tom’s death, Doris pleads for Danny not to go after the dangerous cougar, but the vengeful Danny vows to do so. With his dog, Danny leaves in search of the cougar. He and his dog have an eventful chase with the cat before they corner it inside a small cave. Unable to see in the dark, Danny and his dog are at a disadvantage and are attacked by the cougar. In the ensuing battle, Danny’s dog is almost killed, but Danny is able to kill the cougar. Later Danny and Doris celebrate the cat’s defeat. With the cat gone, Gil and Jim will no longer be a threat to Danny and Doris, now possible lovers.

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The Last Man on Earth (Italian: L’ultimo uomo della Terra) is a 1964 Italian-American science-fiction horror film based on the 1954 Richard Matheson novel I Am Legend. The film was directed by Ubaldo Ragona and Sidney Salkow, and stars Vincent Price. The script was written in part by Matheson, but he was dissatisfied with the result and chose to be credited as “Logan Swanson”. William Leicester, Furio M. Monetti, and Ubaldo Ragona were the other writers.

It was filmed in Rome, Italy, with some location shots taken at Esposizione Universale Roma. It was released theatrically in the United States by American International Pictures and the UK in 1966.

IMDb Rating: 7/10

In the year 1968, every day is the same for Dr. Robert Morgan (Price): he wakes up, gathers his weapons, and then goes hunting for vampires. Morgan lives in a world where everyone else has been infected by a plague that has turned them into undead, vampiric creatures that cannot stand sunlight, fear mirrors, and are repelled by garlic. They would kill Morgan if they could, but fortunately, they are weak and unintelligent. At night, Morgan locks himself inside his house; during the day, he kills as many vampires as he can, burning the bodies.

A flashback sequence explains that, three years before, Morgan’s wife and daughter had succumbed to the plague, before it was widely known by the public that the dead would return to life. Instead of taking his wife to the same public burn pit used to dispose of his daughter’s corpse, Morgan buried her without the knowledge of the authorities. When his wife returned to his home and attacked him, Morgan became aware of the need to kill the plague victims with a wooden stake. Morgan hypothesizes that he is immune to the bacteria because he was bitten by an infected vampire bat when he was stationed in Panama, which introduced a diluted form of the plague into his blood.

One day, a dog appears in the neighborhood. Desperate for companionship, Morgan chases after the dog, but does not catch it. Some time later, the dog appears, wounded, at Morgan’s doorstep. He takes the dog into his home and treats its wounds, looking forward to having company for the first time in three years. He quickly discovers, however, that it, too, has become infected with the plague. Morgan is later seen burying the dog, which he has impaled with a wooden stake.

After burying the dog, Morgan spots a woman in the distance. The woman, Ruth, is terrified of Morgan at first sight, and runs from him. Morgan convinces her to return to his home, but is suspicious of her true nature. Ruth becomes ill when Morgan waves garlic in her face, but claims that she has a weak stomach.

Morgan’s suspicion that Ruth is infected is confirmed when he discovers her attempting to inject herself with a combination of blood and vaccine that holds the disease at bay. Ruth initially draws a gun on Morgan, but surrenders it to him. Ruth then tells him that she is part of a group of people like her — infected but under treatment — and was sent to spy on Morgan. The vaccine allows the people to function normally with the drug in the bloodstream, but once it wears off, the infection takes over the body again. Ruth explains that her people are planning to rebuild society as they destroy the remaining vampires, and that many of the vampires Morgan killed were technically still alive. Ruth desperately urges Morgan to flee, but he inexplicably refuses.

While Ruth is asleep, Morgan transfuses his own blood into her. She is immediately cured, and Morgan sees hope that, together, they can cure the rest of her people. Moments later, however, Ruth’s people attack. Morgan takes the gun and flees his home while the attackers kill the vampires gathered around Morgan’s home.

Ruth’s people spot Morgan and chase him. He exchanges gunfire with them, and picks up tear gas grenades from a police station armory along the way. While the tear gas delays his pursuers somewhat, Morgan is wounded by gunfire and retreats into a church. Despite Ruth’s protests to let Morgan live, his pursuers finally impale him on the altar with a spear. With his dying breaths, Morgan denounces his pursuers as “freaks”, and declares that he is the last true man on earth.

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Street Scene is a 1931 Pre-Code drama film produced by Samuel Goldwyn and directed by King Vidor. With a screenplay by Elmer Rice adapted from his Pulitzer Prize-winning play, Street Scene takes place on a New York City street from one evening until the following afternoon. Except for one scene which takes place inside a taxi, Vidor shot the entire film on a single set depicting half a city block of house fronts.

The movie stars Estelle Taylor, David Landau, Sylvia Sidney, William Collier, Jr., and Beulah Bondi (her screen debut). The music score is by Alfred Newman, his first complete film score. Newman composed the eponymous title theme, in the style of George Gershwin’s Rhapsody in Blue.

IMDb Rating:7.7/10

Stars: Sylvia Sidney, Beulah Bondi, Estelle Taylor
Director: King Vidor
Writer: Elmer Rice
On a hot summer afternoon in New York, Emma Jones gossips with other neighbors in her residential building about the affair that Mrs. Anna Maurrant and the milkman Steve Sankey are having. When the rude and unfriendly Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is being sexually pressured by her married boss Mr. Bert Easter. She does however very much like her kind young Jewish neighbor Sam, who has a serious crush on her.

The next morning, Frank Maurrant tells his wife that he is traveling to Stamford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home. He realizes his wife is upstairs with Sankey, and runs upstairs. We hear shots and see the two men struggling as Sankey tries to escape through the window. Maurrant runs out with a gun. He has killed Sankey and fatally wounded his wife.

Maurrant is apprehended and is led away by police. He apologizes to his daughter Rose, who will now have to take care of herself and her young brother without either parent. Rose’s boss offers once again to set her up in her own apartment, but she refuses. Then she sees Sam, and tells him she wants to leave the city. Sam pleads with her to let him go with her, but she tells him it will be better for the two of them to have a couple of years apart before they consider becoming a couple. Rose walks off down the street by herself.

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Terror by Night is a 1946 Sherlock Holmes film, the thirteenth to star Basil Rathbone and Nigel Bruce and was directed by Roy William Neill. The story revolves around the theft of a famous diamond aboard a train.

IMDb Rating: 7/10

The film’s plot is a mostly original story not directly based on any of Arthur Conan Doyle’s Holmes tales, but it uses minor plot elements of “The Adventure of the Empty House,” “The Disappearance of Lady Frances Carfax,” and The Sign of the Four.

In London, a young woman named Vivian Vedder (Renee Godfrey) verifies that a carpenter has completed a coffin for her recently deceased mother’s body, which she is transporting to Scotland by train. She boards the train that evening, as do Lady Margaret Carstairs (Mary Forbes), who owns and is transporting the famous Star of Rhodesia diamond; Lady Margaret’s son Roland (Geoffrey Steele); Holmes, whom Roland has hired to protect the diamond; Inspector Lestrade (Dennis Hoey), who is also worried about the diamond’s safety; and Watson and his friend Major Duncan-Bleek (Alan Mowbray). Holmes briefly examines the diamond.

Shortly afterward, Roland is murdered and the diamond is stolen. Lestrade, Holmes, and Watson learn nothing conclusive in questioning the other passengers, and Holmes is pushed out of the train, nearly to his death, but he climbs back inside and discovers a secret compartment in the coffin carrying Miss Vedder’s mother. He suspects that one of the people on the train is the notorious jewel thief Colonel Sebastian Moran. Upon further questioning, Miss Vedder admits that a man paid her to transport the coffin. As Watson and Duncan-Bleek join the group, Holmes reveals that he swapped the diamond with an imitation while examining it. Lestrade takes possession of the real diamond.

In the luggage compartment, Holmes and Watson find a train guard murdered with a poisoned dart. Meanwhile, a street criminal named Sands (Skelton Knaggs) incapacitates the conductor. Sands was hidden inside the coffin, and is in cahoots with Duncan-Bleek, who is in fact Colonel Moran. Sands and Moran go to Lestrade’s room, where Sands knocks him unconscious and steals the diamond from him, but Moran double-crosses Sands, shooting him dead with the same dart gun he used to kill Roland and the guard.

The train makes an unexpected stop to pick up several Scottish policemen led by Inspector McDonald (Boyd Davis). Holmes informs McDonald that Duncan-Bleek is really Moran, and McDonald arrests Moran and finds the diamond in his vest, but Moran seizes a policeman’s gun and pulls the emergency cord to stop the train. During a scuffle in which the lights are turned off, Holmes subdues and handcuffs Moran, then secretly hides him under a table. When the lights are turned on again, the officers leave the train with Lestrade, his coat covering his face, believing he is Moran. As the train departs, Lestrade captures the thieves in the train station, and Holmes reveals to Watson and Moran that he recognized McDonald as an impostor and recovered the diamond from him during the fight.

Directed and produced by Roy William Neill, written by Frank Gruber, based on Sir Arthur Conan Doyle, starring Basil Rathbone and Nigel Bruce, music by Hans Salter.

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