Author: womo

When Union spies steal an engineer’s beloved locomotive, he pursues it single handedly and straight through enemy lines.

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Based on an autobiographical novel by Agnes Newton Keith, recounts her and her children’s experiences in a Japanese POW camp during World War II. Despite the kindness of the camp’s commander, Mrs. Keith is tortured, starved, and humiliated by the guards. Originally released as a theatrical production. Public domain film.

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The Colgate Comedy Hour is an American comedy-musical variety series that aired live on the NBC network from 1950 to 1955. The show featured many notable comedians and entertainers of the era as guest stars.
This episode of the Colgate Comedy Hour was hosted by Bud Abbott and Lou Costello on January 7, 1951. The Colgate Comedy Hour was a comedy-musical variety series that aired live on the NBC network from 1950 to 1955.

Also known as – Colgate Summer Comedy Hour Colgate Variety Hour
Genre – Comedy/Variety
Created by – Fred Hamilton
Directed by – William Asher Bob Finkel Fred Hamilton Ernest D. Glucksman Jim Jordan Kingman T. Moore Ed Sobol James V. Kern Bud Yorkin
Country of origin – United States
Original language(s) – English
No. of seasons – 6
No. of episodes – 221 Production
Executive producer(s) – Samuel Fuller Pete Barnum
Producer(s) – Charles Friedman Ernest D. Glucksman Leo Morgan Ed Sobol Michael Todd Pete Barnum
Camera setup – Multi-camera
Running time – 50 minutes
Production company(s) – Colgate-Palmolive-Peet Release
Original channel – NBC
Picture format – Black-and-white Color
Audio format – Monaural
Original release – September 10, 1950 – December 25, 1955

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Cross-dressing Chaplin plays a pugnacious wife jealous of her husband (Mack Swain) having interest in another woman (Phyllis Allen) during a military parade.

Released on May 7th, 1914 by Mack Sennett’s Keystone Studios.

http://www.imdb.com/title/tt0003733

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Horror Express, also known as Pánico en el Transiberiano/Panic on the Trans-Siberian Express, is a 1972 Spanish/British horror film directed by Eugenio Martín and starring Christopher Lee, Peter Cushing, Alberto de Mendoza and Telly Savalas.

It was produced by Bernard Gordon and written by Arnaud d’Usseau and Julian Zimet (credited as Julian Halevy).

Storyline: An English anthropologist has discovered a frozen monster in the frozen wastes of Manchuria which he believes may be the Missing Link. He brings the creature back to Europe aboard a trans-Siberian express, but during the trip the monster thaws out and starts to butcher the passengers one by one.

A nightmare of terror travelling aboard the Horror Express!

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When a wealthy man (Lionel Atwill) is threatened by a an insane killer known as The Gorilla, he hires the Ritz Brothers to investigate. A real escaped gorilla shows up at the mansion just as the investigators arrive. Patsy Kelly portrays a newly hired maid who wants to quit because the butler, played by Bela Lugosi, scares her. Based on a play of the same name by Ralph Spence.

This was the final Ritz Brothers film directed by Allan Dwan, and their last for 20th Century-Fox (they would move on to Universal).

http://www.imdb.com/title/tt0031387

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The Battle of Russia (1943) – shows a history of Russian defense and Russia’s battle against Germany. This film made available courtesy the Department of Defense, National Technical Information Service, and the National Archives and Records Administration http://www.archives.gov/

Capra’s synopsis: “History of Russia; people, size, resources, wars. Death struggle against Nazi armies at gates of Moscow and Leningrad. At Stalingrad, Nazis put through meat grinder

The following background information is from http://en.wikipedia.org/wiki/Why_We_Fight

Why We Fight is a series of seven propaganda films commissioned by the United States government during World War II to demonstrate to American soldiers the reason for U.S. involvement in the war. Later on they were also shown to the general U.S. public to persuade them to support American involvement in the war.

Most of the films were directed by Frank Capra, who was daunted yet also impressed and challenged by Leni Riefenstahl’s propaganda film Triumph of the Will and who worked in direct response to it. The series faced a tough challenge: convincing an only recently non-interventionist nation of the need to become involved in the war and ally with the Soviets, among other things. In many of the films, Capra and other directors spliced in Axis powers propaganda footage—recontextualizing it so it promoted the cause of the Allies instead.

Why We Fight was edited primarily by William Hornbeck and is among the best examples of stock-footage montage ever produced, although some parts were re-enacted “under War Department supervision” if there was no relevant footage available. The animated portions of the films were produced by the Disney studios — with the animated maps following a convention of depicting Axis-occupied territory in black.

The films were narrated by Academy Award winning actor Walter Huston. This narration, though factual for the most part, is replete with nationalist and racist rhetoric describing implacably warlike Germans and “blood-crazed Japs.” Conversely, it lionizes the courage and sacrifice of the British, Soviets, and Chinese.

At the end of each film, the quotation from Army Chief of Staff George Marshall that “…the victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan.” is shown on screen, followed by a ringing Liberty Bell over which is superimposed a large letter “V” zooming into the screen, accompanied by patriotic or military music on the soundtrack.

Why We Fight also contains many scenes from Triumph of the Will when talking about the Nazis. .

The Battle of Russia,” Chapter V of Frank Capra’s “Why We Fight”
series, follows the beginning of the end for Adolph Hitler. In Part
Two, the German army falls victim to the Soviet scorched-earth strategy.
The Russian forces flee from the start, retreating deep into their
homeland, drawing the Nazis farther and farther away from the German
border. As the Red Army falls back, it destroys infrastructure and
natural resources, making it difficult for the Nazi army to live off the
land. Once the famed Russian winter sets in, Germany is doomed. The
film focuses on the stalwart defense of Leningrad. After the Nazis
surround the Soviet metropolis in an attempt to starve out its
residents, the Russians outsmart them by constructing a fully
operational railroad across a frozen lake to get supplies to the
beleaguered citizens. The Battle of Russia ends up as a disaster for the
Germans, who lose more than 800,000 men.

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Three Guys Named Mike (1951) – Classic comedy movie
When a small town girl becomes an airline stewardess she finds herself in relationships with three guys named Mike: an airline pilot, a college professor, and a successful businessman. When the three find out about each other, she must decide which one she loves most. Stars Van Johnson and Jane Wyman.

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Too Late for Tears is a 1949 film noir crime film directed by Byron Haskin and starring Lizabeth Scott, Don DeFore, Dan Duryea and Arthur Kennedy.

IMDb Rating: 7.3/10

It tells a story about a seductive woman and ruthless killer who steals a suitcase of $60,000. The screenplay was written by Roy Huggins, developed from a serial he wrote for the Saturday Evening Post.

The film was reissued as Killer Bait in 1955. Too Late for Tears has gained a cult following;

On January 25, 2014, a restored 35mm print was premiered by the Film Noir Foundation at Noir City 12 at the Castro Theatre in San Francisco. The film was restored by UCLA Film & Television Archive and the Film Noir Foundation, with the Hollywood Foreign Press Association providing some of the necessary funding.

Director: Byron Haskin
Writers: Roy Huggins (screenplay), Roy Huggins (serial)

Through a fluke circumstance a ruthless woman stumbles across a suitcase filled with $60,000, and she is determined to hold onto it even it if means murder.

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Raymond Burr (Perry Mason) stars as a lawyer who defends a woman accused of murdering her husband (Angela Lansbury – Murder, She Wrote). During the trial he falls in love with the women. When the woman is acquited, he finds out information that he did not know during the trial, beginning a cat and mouse psychological thriller.

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