The Little Shop of Horrors is a 1960 American black comedy horror film directed by Roger Corman. Written by Charles B. Griffith, the film is a farce about an inadequate florist’s assistant who cultivates a plant that feeds on human flesh and blood.
The film’s concept is thought to be based on a 1932 story called “Green Thoughts”, by John Collier, about a man-eating plant. However, Dennis McDougal in Jack Nicholson’s biography suggests that Charles B. Griffith may have been influenced by Arthur C. Clarke’s sci-fi short story ‘The Reluctant Orchid’.
The film stars Jonathan Haze, Jackie Joseph, Mel Welles and Dick Miller, all of whom had worked for Corman on previous films. Produced under the title The Passionate People Eater, the film employs an original style of humor, combining black comedy with farce and incorporating Jewish humor and elements of spoof. The Little Shop of Horrors was shot on a budget of $30,000 in two days utilizing sets that had been left standing from A Bucket of Blood.
The film slowly gained a cult following through word of mouth when it was distributed as the B movie in a double feature with Mario Bava’s Black Sunday and eventually with The Last Woman on Earth.The film’s popularity increased with local television broadcasts, in addition to the presence of a young Jack Nicholson, whose small role in the film has been prominently promoted on home video releases of the film. The movie was the basis for an Off Broadway musical, Little Shop of Horrors, which was made into a 1986 feature film and enjoyed a Broadway revival, all of which have attracted attention to the 1960 film.
IMDb Rating:6.3/10
Actor: Jack Nicholson
Director: Roger Corman
Producer: Roger Corman
Writer: Charles Griffith
Category: Black Comedy Horror
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Five Minutes to Live is a 1961 American crime film. It was re-titled Door-to-Door Maniac for a re-release in 1966. The film starred Johnny Cash and Cay Forrester who wrote the screenplay for the film that was produced by her husband Ludlow Flower.
The film opens on Fred (Vic Tayback), sitting in a dark room, detailing his most recent bank robbery. He talks about how he has always had a plan for a small town bank robbery. He had teamed-up with hardened criminal, Johnny Cabot (Johnny Cash) to execute his plan. Cabot is to take the wife of the bank’s vice president hostage. He is to hold her until he gets a call from Fred informing him that they have the ransom money. Cabot watches the Wilson house as the husband leaves for work and their son heads off to school. At first, posing as a door-to-door guitar instructor, Cabot works his way into the house and takes Nancy Wilson (Cay Forrester) hostage. At the bank, Fred talks his way into Ken Wilson’s (Donald Woods) office, and hands him a check for $70,000, informing Wilson that he will withdraw the funds to cover the ransom or his wife will die. He tells Wilson to call home in order to prove that Nancy is being held hostage, and then informs him that if he does not call Cabot back in five minutes that Mrs. Wilson will die. Wilson tells Fred that he’s been planning to leave his wife anyway and run off to Las Vegas with his mistress, Ellen (Pamela Mason). He tells Fred that he will be doing him a favor by killing his wife. Fred, however, does not believe that Ken will let his wife die. He is proven correct, as time ticks by, Wilson finally cracks and agrees to pay the ransom. Fred calls Cabot and starts the clock over again. As time ticks away, Fred works on Ken to collect the money so he can leave the bank safely. Meanwhile, at the Wilson house, Cabot is enjoying terrorizing his hostage. Forcing her to listen to him play songs about her impending demise, shooting at her and making sexual advances toward her (which she tries to use to aid her escape to no avail). Back at the bank, Fred has been taken down by the police who arrived after someone tripped the silent alarm. As a result, Cabot is getting nervous having not received his expected call from Fred. Suddenly, in walks Little Bobby (Ron Howard), home for lunch. Around this time the police finally arrive outside the Wilson house. In a panic, Cabot grabs Bobby and runs for it. He runs right into the yard and waiting police gunfire. Bobby pretends as though he’s been shot in the fight in order to get Cabot to put him down. After apparently being very upset by the accidental shooting of the young boy, Cabot runs back into the fight and is killed by police. Nancy runs outside to find her son alive and well. The film ends with Mr. Wilson driving to Las Vegas, but with his wife instead of his, now former, mistress.
Stars: Johnny Cash, Donald Woods, Cay Forester
Director: Bill Karn
Writers: Cay Forester (screenplay), Palmer Thompson.
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“Last Woman on Earth” is an American science-fiction film produced and directed by Roger Corman. It tells the story of three survivors of a mysterious apocalypse which appears to have wiped out all human life on earth. The screenplay is by Robert Towne, who also appears in the film billed as “Edward Wain”.
Harold Gern (Antony Carbone), a successful businessman from New York who has been in a lot of legal trouble recently, is spending a holiday in Puerto Rico with his attractive wife Evelyn (Betsy Jones-Moreland), whom he married “between trials”. They are joined by Martin Joyce (Edward Wain), Gern’s friend and lawyer, who has come to discuss legal matters. Not in the mood to talk business, Gern invites him along on a boat trip during which all three try out some newly bought scuba diving equipment. When they resurface they realize to their astonishment that they are unable to breathe without using their oxygen tanks. They climb back into their boat and find Manuel, their servant, dead on board asphyxiated. Unable to start the engine, they row ashore. With 40 minutes worth of oxygen left they enter the jungle, where, due to the plants giving off oxygen, they can soon breathe normally again (and light a cigarette to calm their nerves).
Gradually it dawns upon the three that they might be the only survivors in the area, maybe in the world. They briefly speculate on what has happened (“an act of God … or bigger and better bombs”) but try to “keep that kind of talk to a minimum” and mainly concern themselves with becoming self-sufficient, for example by moving to a villa near the beach. The two men teach themselves how to fish as only animals that live in the water have survived but when they see insects again they realize that they must have survived inside their eggs. Accordingly, they feel that in the long run they will have to move North to a colder climate to avoid an insect problem and also problems with food preservation and to increase their chances of meeting other survivors.
Very soon the Gerns and Martin Joyce can no longer cope with the triangular situation. Although they still keep up appearances Evelyn is still wearing jewelry, and Harold Gern, a tie for their seafood dinners Martin points out to Gern that neither the latter’s marriage certificate nor his money mean anything any more. Evelyn feels attracted to the lawyer, who eventually tells her husband what he really thinks of him (“The way you made your money stank. And furthermore, Harold, you stink.”). After a short fistfight Martin pretends to be leaving the couple but at the last moment Evelyn hops into the car, and the two lovers drive off. Harold hotwires the other car and follows them. At the harbour another fight between the two men ensues during which Martin is fatally injured. The two survivors are left wondering where they will go or what they will do now.
Directed by Roger Corman, produced by Roger Corman and Charles Hannawalt, written by Robert Towne, starring Betsy Jones-Moreland, Antony Carbone and Robert Towne (billed as Edward Wain).
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The Last Time I Saw Paris is a 1954 #Romantic Drama made by Metro-Goldwyn-Mayer.It is loosely based on F. Scott Fitzgerald’s short story “Babylon Revisited.” It was directed by Richard Brooks, produced by Jack Cummings and filmed on locations in Paris and the MGM backlot. The screenplay was by Julius J. Epstein, Philip G. Epstein and Richard Brooks.
The film starred Elizabeth Taylor and Van Johnson in his last role for MGM, with Walter Pidgeon, Donna Reed, Eva Gabor, Kurt Kasznar, George Dolenz, Sandy Descher, Odette, and (a then-unknown) Roger Moore in his Hollywood debut.
The film’s title song, by composer Jerome Kern and lyricist Oscar Hammerstein II, was already a classic when the movie was made and inspired the movie’s title. Though the song had already won an Oscar after its film debut in 1941’s Lady Be Good, it is featured much more prominently in The Last Time I Saw Paris. It can be heard in many scenes, either being sung by Odette or being played as an instrumental.
Paris, France. After the success of his first book, famous American writer Charles Wills (Van Johnson) returns to Paris, and visits a local cafe named Café Dhingo where he chats with the bartender about his life. Charles flashes back to his past….
In May 1945, just as World War II was ending in Europe, Charles was on the streets of Paris, covering the city-wide V-E celebration. He was suddenly grabbed by the most beautiful woman he ever saw, she kissed him on the lips and disappeared.
Charles followed the crowd to Café Dhingo and met another pretty woman named Marion Ellswirth (Donna Reed). The mutual attraction was instant, and he was invited to join the party her father was throwing in celebration of the end of the war. Charles, Marion, and her persistent French suitor Claude Matine (George Dolenz) arrived at the Ellswirth household, only to find that the woman who kissed Charles was Marion’s younger sister Helen (Elizabeth Taylor).
During drinks, Charles learned that Marion and Helen’s father, James Ellswirth (Walter Pidgeon), came out of World War I alive and promptly joined the drifter generation. Unlike most drifters, he never grew out of it; even went as far as raising his two daughters to desire such lifestyle. Helen took after her father and used her beauty to sustain a life of luxury even though James was flat broke. Marion went the other way, and looked for serious-minded and conventional young men such as Claude the aspiring prosecutor and Charles the future novelist.
Charles and Helen fell in love and started dating. After Helen recovered from a near-death case of pneumonia from being out in the rain, they got married and settled in Paris. James had hoped that Helen would marry rich, but having taken a liking to Charles, he good-naturedly joined the happy family of Charles. One year later, Helen got pregnant and gave birth to a daughter, whom they name Vickie. Marion, having lost Charles to Helen, agreed to marry Claude around the same time.
They also each took on other interests: Helen started to flirt with handsome English tennis player named Paul Lane (Roger Moore). Charles asked professional divorcee Lorraine Quarl (Eva Gabor) to join him as he competed in a local Paris-to-Monte Carlo race.
After the race, Charles returned to Paris to patch things up with Helen, only to find her sitting in Café Dhingo with Paul. A fight broke out between Paul and Charles, an angry Charles went home first and bolted the door. Helen ended up having to walk all way to Marion’s place in the snow. She caught pneumonia again and this time… she didn’t make it. Charles hears about her hospitalization the next day and races to the hospital to be at her side when she dies.
After Helen’s funeral, Marion petitioned for and got full custody of Vickie, Charles went back to his hometown of to Milwaukee to deal with the loss of both his wife and daughter.
A few years later in the present day 1954, having straightened out his life and quit drinking, Charles returns to Paris (where the movie begins) and finished telling his story to the Café Dhingo bartender. Charles then goes to Marion’s house, hoping that his reformation would have softened Marion, and give nine-year-old Vickie (Sandy Descher) back to him. Still feeling resentful towards Charles for having fallen for Helen instead of her, Marion refuses. Seeing that Charles and Vickie belong together, Claude finally stepped in and told Marion off.
In the final scene, Marion and Claude bring Vickie to Café Dhingo to look for Charles. And in front of the painting of Helen, the family is finally reunited again. Charles and Vickie then walk off together to go back to America.
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The Star Boarder is a 1914 American short comedy film starring Charlie Chaplin.
The film is also known as The Landlady’s Pet, its 1918 American reissue title.
A brat’s magic lantern show exposes an indiscreet moment between a landlady and her star boarder.
Like many American films of the time, The Star Boarder was subject to restrictions and cuts by city and state film censorship boards. For example, the Chicago Board of Censors required, when the film was submitted for review for its 1918 reissue as The Landlady’s Pet, cuts of Chaplin thumbing his nose and the scene of Chaplin inflating his trousers and looking into them.
Charlie Chaplin In The Star Boarder aka The Landlady’s Pet.
Sir Charles Spencer “Charlie” Chaplin (16 April 1889 — 25 December 1977) was an English comic actor, film director and composer best known for his work in the United States during the silent film era.Chaplin was one of the most creative and influential personalities of the silent-film era. He was influenced by his predecessor, the French silent film comedian Max Linder
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Four Chaplin shorts from 1917: The Adventurer, The Cure, Easy Street and The Immigrant, presented with music and sound effects.
Charlie Chaplin (1889–1977) was a British film actor, comedian, director, producer, writer, musician and music composer whose work in motion pictures spanned from 1914 until 1967. During his early years in film he became established as a worldwide cinematic idol renowned for his tramp persona. During the 1910s and 1920s he was considered the most famous person on the planet.
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Evil Brain from Outer Space is a 1964 film edited together for American television from films #7, #8 and #9 of the Japanese short film series Super Giant filmed in 1958.
The film concerns Starman’s efforts to save the Earth from the followers of Balazar, an evil genius from the planet Zemar whose brain has been preserved after his own assassination.
Sci-fi enthusiasts from the baby-boom generation are sure to get a solid dose of nostalgia from this double bill of surreal adventures featuring Starman, who fought interplanetary evil on late-night TV in America during the mid-’60s and beyond. Known as Super Giant in his native Japan, the cowled crusader was featured in four 80-minute films that were culled from nine featurettes produced by the Shintoho Company (an offshoot of Toho) in 1957-58. Starman’s trademark blend of frantic action and primitive special effects are on display in both features (the second and fourth in the series), which pit Starman against diabolical invaders (in Attack from Space) and an alien brain’s mutant henchmen (Evil Brain from Outer Space). Kids may find the goings-on alternately corny and disturbing (the mutants are scary, and Starman racks up a considerable body count), but old-school monster movie fans will relish this chance to catch up with an old pal. —-Paul Gaita
The Great St. Louis Bank Robbery (also called The St. Louis Bank Robbery) is a 1959 heist film. The film stars Steve McQueen as a college dropout hired to be the getaway driver in a bank robbery. The film is based on a 1953 bank robbery attempt of Southwest Bank in St. Louis. The film was shot on location in St. Louis in 1958 with some of the men and women from the St. Louis Police Department, as well as local residents and bank employees, playing the same parts they did in the actual robbery attempt.
George Fowler (Steve McQueen) shows himself as an ex-football hero. He finds himself slowly drawn into the gangster world. With the gang in need of just $50 more, George asks his ex girl, Ann, for that amount in a check, supposedly for her brother Gino. The plan starts to unravel when she sees Gino coming out of a restaurant across the street from the bank. When questioned about it George later reveals he’s involved with robbing the bank. She writes ‘Warning The bank will be Robbed!’ with lipstick on the window, the bank taking it as a joke. As the day of the heist grows nearer the tension within the gang heightens with no one trusting anyone. The robbers burst into George’s and Gino’s apartment that night and demand who talked to the girl about the robbery, seeing the lipstick warning. Gino breaks about his sister’s (George’s Ex girl) talking to George. George goes to her apartment with the gang and talks her into going to Chicago. Gino and George go to a park and wait. While Willie and John are taking her down the fire escape, John gets fidgety and hurls her off the escape down to the street below. They return to George and Gino, saying nothing about the murder. The next day the robbery is attempted as planned. Meanwhile the bank has replaced the switchboard, previously inside the bank, downstairs to what seems to be a better control room, a system which the robbers were betting on disabling to prevent calls to the police. John distrusts George and compels Willie to drive, instead of George, who will now be inside robbing the bank even though it’s his first time on any illegal job. The robbing goes as planned until George can’t find the switchboard they wanted to disable. The switchboard downstairs calls the police and they send a squad car over to the bank. When the police arrive, more arriving every second, the robbery goes astray. John gets killed while trying to take a hostage out and Gino commits suicide down in the vaults. Willie flees with the car, leaving his partners behind. George gets shot in the leg. He tries to take a hostage out, the woman’s husband offering himself instead. As the wife is in his headlock, his arm aiming the gun at her husband, she says, “It’s no use, he’s vicious.” Realizing just how far he went, George relaxes his grip and falls to the ground, muttering how he isn’t ‘vicious’. George is taken away, his last sight looking out the bars of the car.
Directed by Charles Guggenheim and John Stix, produced by Jane Bridges, Katherine Drescher, Charles Guggenheim, Helen Hagen, Lee Hammond and Richard T. Heffron, written by Richard T. Heffron, starring Steve McQueen as George Fowler, Crahan Denton as John Egan, the boss, David Clarke as Gino, Ann’s brother, James Dukas as Willie (the driver), Mollie McCarthy as George’s ex-girlfriend, Martha Gable as Eddie’s wife and Larry Gerst as Eddie.
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Rock, Rock, Rock! is a 1956 black-and-white motion picture featuring performances from a number of early rock ‘n’ roll stars, such as Chuck Berry, LaVern Baker, Teddy Randazzo, the Moonglows, the Flamingos, and the Teenagers with Frankie Lymon as lead singer.
Later West Side Story cast member David Winters is also featured. Famed disc jockey Alan Freed made an appearance as himself. The singing voice of the main character (Dori Graham) was sung by Connie Francis.
The movie has a fairly simple plot: teenage girl Dori Graham (played by then 13-year-old Tuesday Weld) can’t convince her dad to buy her a strapless gown and has to get the money together herself in time for the prom. Jack Collins plays the frustrated dad.
Valerie Harper made her debut in a brief appearance as an extra seated at the center table during the performance of “Ever Since I Can Remember” by Cirino and the Bowties and can be seen after the performance of Frankie Lyman & the Teenagers. This was also Frankie Lyman & the Teenagers film debut.
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