Author: womo

Santa Fe Trail is a 1940 American western film directed by Michael Curtiz and starring Errol Flynn, Olivia de Havilland, Raymond Massey and Ronald Reagan. Written by Robert Buckner, the film is about the abolitionist John Brown and his fanatical attacks on slavery as a prelude to the American Civil War. Subthemes include J.E.B. Stuart and George Armstrong Custer as they duel for the hand of Kit Carson Holliday.

The film was one of the top-grossing films of the year, and the seventh Flynn–de Havilland collaboration. The film also has almost nothing to do with its namesake, the famed Santa Fe Trail, except that the trail started in Missouri and the railroad could be built only after the Army drove Brown out of Kansas.

The outdoor scenes were filmed at the Lasky Movie Ranch in the Lasky Mesa area of the Simi Hills in the western San Fernando Valley. One can visit the film location site, now in the very large Upper Las Virgenes Canyon Open Space Preserve (a.k.a. Ahmanson Ranch), with various trails to the Lasky Mesa locale.
At the West Point Military Academy in 1854, the Cadet Carl Rader(who is an agent of John Brown) (Van Heflin), is dishonorably discharged for spreading anti-slavery pamphlets. His classmates Jeb Stuart (Flynn) and George Custer (Ronald Reagan) become second lieutenants and are posted to Fort Leavenworth, Kansas Territory, the most dangerous duty in the army—an assignment they relish. On the way to Kansas, Custer and Stuart meet Cyrus K. Holliday, in charge of building the railroad to Santa Fe, New Mexico, and his daughter Kit (de Havilland), with whom both officers fall in love.

The Kansas Territory is bloodstained and war-torn, a victim of John Brown’s relentless crusade against slavery. Meanwhile, Rader has enlisted as a mercenary in Brown’s army, which has been terrorizing the countryside with bloody raids. During Brown’s attack on a freight wagon under the protection of the U.S. Army, Stuart and Custer capture Brown’s injured son Jason, and before dying, the troubled boy informs them about his father’s hideout at Shubel Morgan’s ranch in Palmyra. In disguise, Stuart rides into Palmyra, the center of the Underground Railroad, but Brown’s men spot Stuart horse with an army brand and he is captured and taken him at gunpoint to Brown (Raymond Massey). While trying to escape, Stuart is trapped in a burning barn but is saved as Custer leads the cavalry to the rescue and drives Brown into seclusion.

Three years go by to 1859. Believing that Brown’s force has been broken, Stuart and Custer are sent back to Washington, D.C., where Stuart proposes to Kit. However, far from being defeated, Brown is planning to ignite war by raiding the arsenal at Harper’s Ferry, Virginia. When Brown refuses to pay Rader for his services, Rader rides to Washington to alert Stuart of Brown’s plans, and the troops arrive just in time to crush the rebellion. Brown is then tried for treason by the state of Virginia, and hanged. The movie ends with Stuart and Kit being married.

The Santa Fe Trail (1940) – Full Length Movie with Ronald Reagan, Errol Flynn, Olvia De Havilland.

Stars: Errol Flynn, Olivia de Havilland, Ronald Reagan, Raymond Massey
Director: Michael Curtiz
Writer: Robert Buckner (original screenplay)

The story of Jeb Stuart, his romance with Kit Carson Holliday, friendship with George Custer and battles against John Brown in the days leading up to the outbreak of the American Civil War.

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Mr. Imperium – You Belong to My Heart is a 1951 romantic musical drama film made by Metro-Goldwyn-Mayer, starring Lana Turner and singer Ezio Pinza. It was directed by Don Hartman who co-wrote the screenplay with Edwin H. Knopf, based on a play by Edwin H. Knopf. The music score is by Bronisław Kaper. Lana Turner’s singing voice was dubbed by Trudy Erwin.

In Italy in 1939, a European man calling himself Mr. Imperium uses a ruse to meet an attractive American woman, Frederica Brown. He eventually is revealed to be Prince Alexis, an heir to the throne and a widower with a six-year-old son. He nicknames her “Fredda”, so she calls him “Al”.

When his father becomes gravely ill, he must rush to be with him, but asks prime minister Bernand to deliver to Fredda a note of explanation. Bernand instead tells her the prince is gone for good, that this is his usual method of seducing and abandoning women.

Twelve years go by. One day in Paris, a cinema’s marquee makes it clear that “Fredda Barlo” is now a movie star. Fredda’s former love travels to California, where film producer Paul Hunter is now in love with her and proposing marriage.

Fredda decides to drive to Palm Springs to think about his proposal, as well as to decide which actor should co-star in her next film, about a girl who falls in love with a king. “Mr. Imperium” takes a room next to hers, and soon they meet and embrace. He explains the crisis that took place at home during the war and prevented him from looking for her. Now he wants a new life, and Fredda believes he could even portray a king in her film.

Bernand turns up, however, to say that his son is preparing to ascend to the throne. Mr. Imperium realizes he is needed there, so he must say goodbye to the woman he loves once more.

Director: Don Hartman
Writers: Edwin H. Knopf (screenplay), Don Hartman (screenplay),
Stars: Lana Turner, Ezio Pinza, Marjorie Main

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The Driller Killer is a 1979 horror film directed by and starring Abel Ferrara, Carolyn Marz, Baybi Day, and Harry Schultz.

The plot concerns an struggling artist turning mentally insane and resulting him killing derelicts with a power drill.

The film was infamous for being on the list of “video nasties” in the United Kingdom, resulting the film banned from 1984 (due to new censorship laws) until 1999, when a cut version was approved for an 18 (years of age) certificate. The full uncut version was finally passed by the BBFC in November 2002. On 10 June 2010 it was re-released as video on demand (VOD).

An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.

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The Hitch-Hiker is a 1953 film noir directed by Ida Lupino, about two fishing buddies who pick up a mysterious hitchhiker during a trip to Mexico. Inspired by the crime spree of the psychopathic murderer Billy Cook (1928–1952), the screenplay was written by Robert L. Joseph, Lupino, and her husband Collier Young, based on a story by blacklisted Out of the Past screenwriter Daniel Mainwaring (who did not receive screen credit).

The Hitch-Hiker is regarded as the first American mainstream film noir directed by a woman and was selected in 1998 for preservation in the United States National Film Registry as being “culturally, historically or aesthetically significant.

IMDb Rating: 7/10

Two men (Edmond O’Brien and Frank Lovejoy) from El Centro, California are driving toward a planned fishing trip at the Mexican town of San Felipe on the Gulf of California. Just south of Mexicali, they pick up a hitchhiker named Emmett Myers (William Talman), whose stolen car has apparently run out of gas. Myers turns out to be a psychopath who has committed multiple murders while hitch-hiking between Illinois and Southern California, and has managed to slip into Mexico at Mexicali. To evade the pursuing authorities, Myers forces the two men at gunpoint to journey deep into the heart of the Baja California Peninsula, toward the town of Santa Rosalía, where he plans to take a ferry across the Gulf of California.

Meanwhile, the men try to plot their escape from the violent, paranoid Myers. They try tactics such as sabotaging their car and leaving clues (like an engraved wedding ring) at various points on their journey. One man badly twists his ankle during an escape attempt. The sadistic Myers physically and mentally torments the men, forcing them to continue on foot and mocking their loyalty to each other by claiming that they could have escaped separately if they embraced Myers’ each-man-for-himself ethos.

Arriving at Santa Rosalía, Myers tries to conceal his identity by forcing one of the men to wear his clothes. Myers, upon discovering that the regular ferry to Guaymas has burned down, hires a fishing boat. However, while he is awaiting the fisherman, locals discover his status as a wanted murderer and contact authorities. Police surround the pier and, after some confusion over Myers’ identity, take him into custody following a brief scuffle in which the boastful Myers is revealed to be a coward.

The film ends with the weary friends agreeing to give statements to police.

Directed by Ida Lupino, produced by Collier Young, written by Daniel Mainwaring, Robert L. Joseph, Ida Lupino and Collier Young, starring Edmond O’Brien, Frank Lovejoy and William Talman

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The Stranger is a 1946 American film noir starring Edward G. Robinson, Loretta Young, and Orson Welles. It was Welles’s third completed feature film as director. A drama about a war crimes investigator who tracks a high-ranking Nazi fugitive to a New England town, it is the first Hollywood film to present documentary footage of the Holocaust. The original story by Victor Trivas was nominated for an Academy Award.

IMDb Rating:7.4/10

War crimes commissioner Wilson (Edward G. Robinson) has a mission to track down the errant Nazi war criminals and bring them to justice. One way is to use Konrad Meinike (Konstantin Shayne) as bait by freeing him and following him to his contacts. Meinike, driven by guilt over his actions during the war has become a Christian. Once free he immediately goes to a small Connecticut town and makes contact with his former Nazi associate Franz Kindler (Orson Welles) who is posing as Professor Charles Rankin. Kindler is hiding out as a teacher with a lovely new wife Mary (Loretta Young). When Meineke arrives in town to appeal to Kindler to give himself up, the professor responds by strangling his old associate and hiding the body in the nearby woods. Kindler believes himself safe because no one has an idea of his former identity. Wilson arrives in town following Meinike, posing as an antiques dealer, and starts sniffing out the dangerous Kindler and a confrontation of wills and cunning ensue.

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My Man Godfrey is a 1936 American screwball comedy film directed by Gregory La Cava. The screenplay was written by Morrie Ryskind, with uncredited contributions by La Cava, based on 1101 Park Avenue, a short novel by Eric Hatch.

The story concerns a socialite who hires a derelict to be her family’s butler, only to fall in love with him, much to his dismay. The film stars William Powell and Carole Lombard.

The film was remade in 1957 with June Allyson and David Niven in the starring roles. In 1999, the original version of My Man Godfrey was deemed “culturally significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

IMDb Rating: 8.1/10

In New York post-Great Depression, the spoiled socialites Irene Bullock and her sister Cornelia Bullock are disputing a scavenger hunt where the winner is the one who brings a “forgotten man” first. They go to the city dump and Cornelia offers five dollars to the derelict Godfrey Smith to go with her and her companion to the Wardolf Hotel. The man pushes her in the garbage and Cornelia leaves the landfill with her companion. However, Irene talks to Godfrey that she wanted to beat Cornelia to it and he accepts to go with her to win the prize. Irene offers the position of butler to Godfrey and tells her parents Alexander and Angelica Bullock that she has hired Godfrey to work for their dysfunctional family in their mansion. Irene has a crush on Godfrey and protects him while Cornelia hates him and wants to harm him. During a party in the Bullock’s house, the Harvard graduated investor Tommy Gray recognizes Godfrey and salutes him. But the butler asks him to keep the secret of his past and schedules an encounter in the restaurant to explain what is happening.

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Tarzan’s Revenge is a 1938 American adventure film starring Glenn Morris as Tarzan with Eleanor Holm, a popular swimming star, co-starred as Eleanor Reed.

The film was produced by Sol Lesser, written by R. Lee Johnson and Jay Vann (based on the character created by Edgar Rice Burroughs) and directed by D. Ross Lederman. Sol Lesser cast two Olympic athletes in Tarzan’s Revenge: 1936 decathlon champion Glenn Morris as Tarzan and aquatic medal-winner Eleanor Holm as “Eleanor.

Eleanor Reed (Eleanor Holm) accompanies her parents, Roger and Penny (George Barbier and Hedda Hopper), and Nevin Potter (George Meeker), her fiance, on an expedition to Africa to capture wild animals to sell to a zoo. Ben Alleu Bey (C. Henry Gordon) spots Eleanor and wishes her to become the one hundredth wife in his harem. When she refuses, he follows their safari.

Both groups are followed closely by Tarzan, who releases the animals and woos Eleanor away from both Nevin and Bey. When Nevin discovers that Eleanor plans to remain behind with Tarzan, he attempts to kill him, but only grazes his shoulder with a round fired at close range. Tarzan attacks Nevin, but releases him at Eleanor’s behest. As the Reeds’ ship sails down the river, Tarzan and Eleanor go for a swim.

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Till The Clouds Roll By is a 1946 Technicolor #American Musical film made by MGM. The film is a fictionalised biography of composer Jerome Kern, portrayed by Robert Walker.

Kern was originally involved with the production of the film, but died before it was completed. Till the Clouds Roll By has a large cast of well-known musical stars of the day who appear performing Kern’s songs. It was the first in a series of MGM biopics about Broadway’s composers.

Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.

IMDb Rating:6.5/10

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The Battle of Russia (1943) is the fifth film of Frank Capra’s Why We Fight documentary series, and the longest film of the series, consisting of two parts. The film was made in collaboration with Russian-born Anatole Litvak as primary director under Capra’s supervision. Litvak gave the film its “shape and orientation,” and the film had seven writers with voice narration by Walter Huston. The score was done by Russian-born Hollywood composer, Dimitri Tiomkin, and drew heavily on Tchaikovsky along with traditional Russian folk songs and ballads.

IMDb Rating: 7.5/10

Film historian Christopher Meir notes that the film’s popularity “extended beyond the military audience for it was initially intended, and was the second in the series to be nominated for an Academy Award for Best Documentary Feature.

Legendary Hollywood director Frank Capra oversaw this wartime documentary effort, which stitches together newsreel and archival film to explore relations between Russia and the United States. The film also recounts Russia’s military history through the use of stock footage and clips from Sergei Eisenstein’s “Alexander Nevsky.” Particular attention is paid to the Battle of Stalingrad, during which Soviet forces fended off Nazi troops attempting to seize control of the Russian city.

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Reefer Madness originally made as Tell Your Children and sometimes titled as The Burning Question, Dope Addict, Doped Youth, and Love Madness) is a 1936-1939 American drama film revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness due to marijuana addiction. The film was directed by Louis Gasnier.

Originally financed by a church group under the title Tell Your Children, the film was intended to be shown to parents as a morality tale attempting to teach them about the dangers of cannabis use. However, soon after the film was shot, it was purchased by producer Dwain Esper, who re-cut the film for distribution on the exploitation film circuit beginning in 1938-39 through the 1940s and 1950s.

The film was “rediscovered” in the early 1970s and gained new life as an unintentional satire among advocates of cannabis policy reform.

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